We discussed the film in relation to three theoretical frameworks:
- Roland Barthes and semiotics, Mythologies, 1964 : the visual codes and symbolic significance of Yasmin's dress codes and journey to work across the Yorkshire Dales
- Erving Goffman The Presentation of Self in Everyday Life, 1959: Yasmin's front stage and back stage behaviours
- Stuart Hall on audience theory : preferred, negotiated and oppositional readings.
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