G325 Critical Perspectives B
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- SPECIFICATION
- G325 MEDIA REGULATION
- G325 Sec A: Theoretical Evaluation of Production
- G325 Sec B: Contemporary Media Issues
- A2 EVALUATION
- Eval q.1 GENRE CONVENTIONS
- Eval q. 2 COMBO OF MAIN AND ANCILLARIES
- Eval. q.3 FEEDBACK
- Eval. q. 4 TECHNOLOGY
- FILM POSTERS
- FILM MAGAZINE COVERS
- BLOG TOOLS
- FILM TRAILERS
- THEORETICAL APPROACHES
- EXAMINER'S REPORTS
- EXAMPLES OF SECTION A EXAM HELP HERE
- REVISION SESSIONS
- ADOBE INDESIGN
Thursday, 4 May 2017
G325 Sec A q.(b) MEDIA LANGUAGE
We work on G325 Sec A: Theoretical Evaluation of Production, q.(b) NARRATIVE
Each group needs to discuss their production with critical distance. Where q. (a) is about describing skills development over the course, (b)
Examiner's Report 2015:
"To restate, 1(a) is about the candidates’ decision making and progress, 1(b) is about the finished work, to be analysed in the same way candidates would deconstruct other media texts during their studies."
Examiner's Report 2015:
"To restate, 1(a) is about the candidates’ decision making and progress, 1(b) is about the finished work, to be analysed in the same way candidates would deconstruct other media texts during their studies."
NARRATIVE , when related to your trailer, is about character and events and how these are communicated meaning to your audience. The nature of the question allows for a broad range of different theorists to be cited.
MEDIA LANGUAGE , when related to your trailer, is the language of moving image (mise-en-scene, camerawork, editing, sound) and how these communicate meaning to your audience. The nature of the question allows for a broad range of different theorists to be cited.
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